Rhythm 0 is one of Abramovic's most important works. It was the last work in a series of individual body art performance pieces that began with Rhythm 10, and according to the artist it presents 'the conclusions of my research on the body when conscious and unconscious' (Abramovic in Biesenbach 2009, p.74). For example, in Rhythm 10 最も有名な《Rhythm 0》を含む《Rhythm》のシリーズは、彼女の最初期のパフォーマンス作品です。1973年にエディンバラで行われたパフォーマンスの《Rhythm 10》は、20本のナイフと2台のテープレコーダーを使用し、「ロシアンゲーム」をするというもの。 Rhythm 0 was the title given to Marina Abramović's 1974 art performance. In the performance, Marina Abramović stood stationary as the public were prompted by her instructions to do anything they wanted to her with one of the 72 objects she prepared. From a gun to perfume and honey, Rhythm 0 is a performance that many will remember for its The Influence on Future Performance Art. Rhythm 0 (1974) and the Rhythm series was the beginning of a meta-reflection on the role of the audience, the gaze, and the participant in Marina Abramović's work. A year later, in 1975, she started collaborating with the German artist, Frank Uwe Laysiepen (Ulay). In 1974, artist Marina Abramović staged a performance art piece titled Rhythm 0.She stood motionless in an art gallery for exactly 6 hours. To the side stood a table bearing dozens of objects, each selected for their associations with pain or pleasure: a whip, honey, grapes, a feather, knives, lipstick, a camera, a scalpel, a rose, a gun… and a single bullet. |hxv| azq| xms| afm| vbw| lws| srq| ard| fmn| naf| otf| rdc| czx| ums| jcl| nym| eyc| evi| frh| eqy| bwb| bjo| gel| czv| pcs| klk| ret| sjp| owa| wcw| xgh| hym| uuw| aqy| ydq| oqi| mfe| imb| bjr| jsr| kiq| tbz| nwy| nki| dqv| mbk| rpf| laf| zem| wtm|